Research Archive

Projects

PROJECT 2000-2024

Knowledge Transfer Partnerships (KTP) Awards

PROJECT 2024

Beckford’s Tower Accessibility Project

PROJECT

Royal Society of Painter-Printmakers

PROJECT

THE CAPTURE + CULTIVATE TOOL KIT

PROJECT 2024

Professor Carinna Parraman has been awarded University Impact Acceleration funds for a project to tour an exhibition of artists editions.

PROJECT 2024

Professor Stephen Hoskins has been awarded University Impact Acceleration funds for a project to recreate a long forgotten recipe for non-drying black (press black) ink used in stone lithography.

PROJECT 2024-2027

Sustainable Wearable E-textiles For Remote Monitoring Of Atrial Fibrillation Patients

PROJECT 2023

MykoBead: an innovative and low carbon loose-fill bead insulation made from waste bio-based feedstocks

PROJECT 2023-2024

Embroidered tales: hidden histories and silent voices of the New Forest

PROJECT 2021-2023

Smart Tooling for Ceramic Profile Extrusion: Interdisciplinary exploration of innovation opportunities

PROJECT 2019-2021

Smart Tooling for Ceramic Profile Extrusion

PROJECT 2019-2023

ApPEARS: European Advanced Research School

PROJECT 2020-2022

Scandinavian/Nordic Artists’ Books Partnership Project

PROJECT 2023-2025

An investigation of 3D technologies applied to historic textiles for improved understanding, conservation and engagement

PROJECT 2023-2024

Robotic Additive Manufacturing of Lichen Chitosan Composites for Air Quality Monitoring

PROJECT Feb - July 2022

3D Data Services For The Arts And Humanities

PROJECT 2019 - 2021

UNESCO4ALL TOUR

PROJECT 2014 - 2017

2.5D and 3D image capture and print in the cultural heritage field: evaluation of current and developing technologies, applications and workflows

PROJECT 2017 – 2018

Multi-material 3D printing for the fabrication of human body supports for multiple sclerosis patients

PROJECT 2011 – 14

Colour Printing 7.0: Next Generation Multi-Channel Printing (CP7.0)

PROJECT 2018

Creative Economy Engagement Fellow: Digital Tactile Mapping

PROJECT 2018

3D Artworks

PROJECT 2019 - 2021

Knowledge Transfer Partnership: Craven Dunnill Jackfield

PROJECT 2018 – 2023

Woodbury and Lippmann: A new approach to continuous tone and full colour non-impact printing

PROJECT 2015 – 2017

Re-distributed Manufacturing and the Resilient, Sustainable City

PROJECT 2013 – 2014 and 2015 –2017

Combining digital print technologies with 18th Century underglaze ceramic printing to retain an industrial heritage process

PROJECT 2014 - 2015

The Development of Novel Inkjet Inks

PROJECT 2012 - 2015

Can Egyptian Paste Techniques (Faience) Be Used For 3D Printed, Solid Free-form Fabrication of Ceramics?

PROJECT

Digital Archive: The Tate Print Collection

PROJECT 2018

Tactile Maps for a Legible Bristol

PROJECT 2014-2015

Argillasys 3D Printed Ceramic Spin Out Company

PROJECT 2014 - 2015

A Creative Approach to 3D print for Novel Methods of Fabrication.

PROJECT

Vector Driven 2.5D printing

PROJECT 2011 - 2014

Colour Printing 7.0 – New European training network

PROJECT 2013

Visualising Colour Trends, REACT ‘Pump Priming Project’

PROJECT 2011 - 2012

Solid free-form fabrication in fired ceramic as a design aid for concept modelling in the ceramic industry

PROJECT 2011 - 2012

Investigating the expanding field of production and interpretation of the digital printed artefact in a visual arts context

PROJECT 2010

Smart materials and novel actuators: Creative applications in art and design

PROJECT 2010

Paper Modelling: Investigating laser-cutting technology

PROJECT 2008-2010

What will be the canon for the artist’s book in the 21st Century?

PROJECT 2007 - 2009

The Fabrication of Three Dimensional Art and Craft Artefacts through Virtual Digital Construction and Output

PROJECT 2007 - 2011

CREATE Research Project (Colour Research for European Advanced Technology Research)

PROJECT 2007-2010

Research Fellowship for Innovation in Vitreous Enamel Surfaces in Jewellery

PROJECT 2006 - 2007

Aesthetic Aspects of the Photomechanical Reproduction of Continuous Tone for the Photographs of Ansel Adams

PROJECT 2005 - 2012

RCUK Fellowships

PROJECT 2003 - 2007

Methodologies for the integration of fine art practice and wide format digital printing.

PROJECT 2000 - 2003

A Practical Re-appraisal of Continuous Tone Photo-relief Printing for Ceramics and Alternative Substrates

PROJECT

Creating an online interactive database to aid research into historic printmaking processes and techniques

PROJECT

The Wallpaper Project

PROJECT

Colour Research – additional projects

PROJECT 1999 - 2005

Funding awards from the Arts and Humanities Research Board (AHRB)

Earthly Enquires Colloquium

On the 26/4/2024 CFPR hosted a research colloquium entitled: Earthly Enquires. Organised by Associate Professor Tavs Jorgensen this event aimed…

Find Out More

Dr Laura Morgan has been awarded UWE’s Arts and Humanities Research Council Impact Acceleration funds for a project to prototype colour and design innovations with textile industry partners.

Dr Laura Morgan has been awarded funding from UWE’s Arts and Humanities Research Council (AHRC) Impact Acceleration (IAA) for a…

Find Out More

CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART MEDIA

Working from home, Tavs, Fabio and Carinna, along with 70 other delegates from 26 countries, attended a 2-day conference on…

Find Out More

Projects

Knowledge Transfer Partnerships (KTP) Awards

Beckford’s Tower Accessibility Project

Royal Society of Painter-Printmakers

THE CAPTURE + CULTIVATE TOOL KIT

Professor Carinna Parraman has been awarded University Impact Acceleration funds for a project to tour an exhibition of artists editions.

Professor Stephen Hoskins has been awarded University Impact Acceleration funds for a project to recreate a long forgotten recipe for non-drying black (press black) ink used in stone lithography.

Sustainable Wearable E-textiles For Remote Monitoring Of Atrial Fibrillation Patients

MykoBead: an innovative and low carbon loose-fill bead insulation made from waste bio-based feedstocks

Embroidered tales: hidden histories and silent voices of the New Forest

Smart Tooling for Ceramic Profile Extrusion: Interdisciplinary exploration of innovation opportunities

Smart Tooling for Ceramic Profile Extrusion

ApPEARS: European Advanced Research School

Scandinavian/Nordic Artists’ Books Partnership Project

An investigation of 3D technologies applied to historic textiles for improved understanding, conservation and engagement

Robotic Additive Manufacturing of Lichen Chitosan Composites for Air Quality Monitoring

3D Data Services For The Arts And Humanities

UNESCO4ALL TOUR

2.5D and 3D image capture and print in the cultural heritage field: evaluation of current and developing technologies, applications and workflows

Multi-material 3D printing for the fabrication of human body supports for multiple sclerosis patients

Colour Printing 7.0: Next Generation Multi-Channel Printing (CP7.0)

Creative Economy Engagement Fellow: Digital Tactile Mapping

3D Artworks

Knowledge Transfer Partnership: Craven Dunnill Jackfield

Woodbury and Lippmann: A new approach to continuous tone and full colour non-impact printing

Re-distributed Manufacturing and the Resilient, Sustainable City

Combining digital print technologies with 18th Century underglaze ceramic printing to retain an industrial heritage process

The Development of Novel Inkjet Inks

Can Egyptian Paste Techniques (Faience) Be Used For 3D Printed, Solid Free-form Fabrication of Ceramics?

Digital Archive: The Tate Print Collection

Tactile Maps for a Legible Bristol

Argillasys 3D Printed Ceramic Spin Out Company

A Creative Approach to 3D print for Novel Methods of Fabrication.

Vector Driven 2.5D printing

Colour Printing 7.0 – New European training network

Visualising Colour Trends, REACT ‘Pump Priming Project’

Solid free-form fabrication in fired ceramic as a design aid for concept modelling in the ceramic industry

Investigating the expanding field of production and interpretation of the digital printed artefact in a visual arts context

Smart materials and novel actuators: Creative applications in art and design

Paper Modelling: Investigating laser-cutting technology

What will be the canon for the artist’s book in the 21st Century?

The Fabrication of Three Dimensional Art and Craft Artefacts through Virtual Digital Construction and Output

CREATE Research Project (Colour Research for European Advanced Technology Research)

Research Fellowship for Innovation in Vitreous Enamel Surfaces in Jewellery

Aesthetic Aspects of the Photomechanical Reproduction of Continuous Tone for the Photographs of Ansel Adams

RCUK Fellowships

Methodologies for the integration of fine art practice and wide format digital printing.

A Practical Re-appraisal of Continuous Tone Photo-relief Printing for Ceramics and Alternative Substrates

Creating an online interactive database to aid research into historic printmaking processes and techniques

The Wallpaper Project

Colour Research – additional projects

Funding awards from the Arts and Humanities Research Board (AHRB)

Related news

Earthly Enquires Colloquium

Dr Laura Morgan has been awarded UWE’s Arts and Humanities Research Council Impact Acceleration funds for a project to prototype colour and design innovations with textile industry partners.

CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART MEDIA